Saturday, January 26, 2019

Free Ebook Poetry After Auschwitz: Remembering What One Never KnewBy Susan Gubar

Free Ebook Poetry After Auschwitz: Remembering What One Never KnewBy Susan Gubar

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Poetry After Auschwitz: Remembering What One Never KnewBy Susan Gubar

Poetry After Auschwitz: Remembering What One Never KnewBy Susan Gubar


Poetry After Auschwitz: Remembering What One Never KnewBy Susan Gubar


Free Ebook Poetry After Auschwitz: Remembering What One Never KnewBy Susan Gubar

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Poetry After Auschwitz: Remembering What One Never KnewBy Susan Gubar

In this pathbreaking study Susan Gubar demonstrates that Theodor Adorno's famous injunction against writing poetry after Auschwitz paradoxically inspired an ongoing literary tradition. From the 1960s to the present, as the Shoah receded into a more remote European past, North American and British writers struggled to keep its memory alive.

Many contemporary writers, among them Anthony Hecht, Gerald Stem, Sylvia Plath, William Heyen, Michael Hamburger, Irena Klepfisz, Adrienne Rich, Jorie Graham, Jacqueline Osherow, and Anne Michaels, grappled with personal and political, ethical and aesthetic consequences of the disaster. Through confessional verse and reinventions of the elegy, as well as documentary poems about photographs and trials, poets serve as proxy-witnesses of events that they did not experience firsthand. By speaking about or even as the dead, these men and women of letters elucidate what it means to cite, reconfigure, consume, or envy the traumatic memories of an earlier generation. As the testimonies of eyewitnesses come to a close, this moving meditation by a major feminist critic finds in poetry a stimulant to empathy that can help us take to heart what we forget at our own peril.

  • Sales Rank: #3180973 in Books
  • Published on: 2003-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.58" h x 1.13" w x 6.28" l,
  • Binding: Hardcover
  • 288 pages

From Library Journal
The sheer volume of firsthand Holocaust literature seems to render postwar English-language poetry on the Holocaust redundant, if not hubristic. In this subtly argued and thoughtful book, influential feminist scholar Gubar (English, Indiana Univ.), coeditor of a classic anthology of women's writing, The Madwoman in the Attic, shows how such poetry can permit a kind of witnessing by proxy. The risks of such poetry are a lapse into moral sensationalism, the poet's narcissistic fear of irrelevance in light of earlier suffering, or a ghoulish fascination with horror devoid of intellectual substance. Gubar explains how poets avoid these risks and speak on behalf of the dead without usurping their place. A reading of Adrienne Rich's use of Holocaust metaphors is particularly astute, and Gubar's commentary on Jacqueline Osherow, Anthony Hecht, and Irving Feldman shows how the aesthetic can be used to intensify "moral, intellectual, and sensory awareness" of an event that continues to haunt contemporary politics, culture, and art. For research collections in Holocaust studies, postwar poetry, and Jewish studies.
Ulrich Baer, New York Univ.
Copyright 2002 Reed Business Information, Inc.

Review
"It is hard to imagine [Susan Gubar] bettering her previous work, but this is a culmination... It will become a classic for the way it is written, for its sense of what poetry in general can do, and for its comprehensive focus on Holocaust representation." -Geoffrey Hartman

From the Publisher
An eloquent exploration of Holocaust verse in English by one of America's leading feminist critics.

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Poetry After Auschwitz: Remembering What One Never KnewBy Susan Gubar PDF

Poetry After Auschwitz: Remembering What One Never KnewBy Susan Gubar PDF
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Friday, January 4, 2019

Ebook Free Diana: The Last DaysBy Martyn Gregory

Ebook Free Diana: The Last DaysBy Martyn Gregory

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Diana: The Last DaysBy Martyn Gregory

Diana: The Last DaysBy Martyn Gregory


Diana: The Last DaysBy Martyn Gregory


Ebook Free Diana: The Last DaysBy Martyn Gregory

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Diana: The Last DaysBy Martyn Gregory

The definitive account of what really happened, updated to include a new chapter on operation Paget, the report into the “allegation of conspiracy to murder” Princess Diana and Dodi Fayed.
 
In the early hours of August 31, 1997, Diana, Princess of Wales, and Dodi Fayed set out from the Ritz Hotel in Paris for an apartment on the rue Arsène-Houssaye.  They never made it.
 
Martyn Gregory pieces together the evidence—from the exhaustive Operation Paget to the French investigation—and, with exclusive access to Diana’s bodyguards and some of her closest confidants, paints a compelling, accurate and unbiased picture of Diana’s final hours.
 
Was Diana pregnant with Dodi’s child, and were they engaged to be married?  Why did the ambulance take so long to get to the hospital?  What were the roles of the “flash before the crash” and the white Fiat Uno?  Were the blood samples taken from the driver switched before testing?
 
Diana: The Last Days answers all these questions and more in a compelling account of what really happened on that fateful date.

  • Sales Rank: #6189388 in Books
  • Published on: 2010-04-22
  • Released on: 2010-04-22
  • Formats: Bargain Price, International Edition
  • Number of items: 1
  • Dimensions: 7.06" h x .94" w x 4.25" l,
  • Binding: Mass Market Paperback
  • 384 pages

Review
"'Essential reading for all those who wish to know the truth about Diana' Daily Mail 'The definitive account... serves the cause of truth well and should be read by anyone who wants to strip away the lies and get to the facts of the case' Sunday Telegraph 'Brilliant and thorough reporting... the most thorough book on the subject' Thomas Sancton, author of Death of a Princess"

About the Author
Bestselling author Martyn Gregory is also an award-winning investigating producer and reporter.  His two Dispatches films for Channel 4 have been highly praised.  In 1997, his program The Accident was the highest-rated in the series’ history.  He has been interviewed worldwide about the subject of Diana’s last days and death.

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