Friday, May 12, 2017

Free Ebook Heat Transfer Fundamentals for Metal Casting, with SI UnitsBy D. R. Poirier, E. J. Poirier

Free Ebook Heat Transfer Fundamentals for Metal Casting, with SI UnitsBy D. R. Poirier, E. J. Poirier

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Heat Transfer Fundamentals for Metal Casting, with SI UnitsBy D. R. Poirier, E. J. Poirier

Heat Transfer Fundamentals for Metal Casting, with SI UnitsBy D. R. Poirier, E. J. Poirier


Heat Transfer Fundamentals for Metal Casting, with SI UnitsBy D. R. Poirier, E. J. Poirier


Free Ebook Heat Transfer Fundamentals for Metal Casting, with SI UnitsBy D. R. Poirier, E. J. Poirier

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Heat Transfer Fundamentals for Metal Casting, with SI UnitsBy D. R. Poirier, E. J. Poirier

This text was developed for students, process engineers, and manufacturing engineers who wish to apply the quantitative fundamentals of heat transfer to the metal casting industry. This second edition includes the conversion throughout, to the more universally acceptable SI units. Considered to be a fundamental teaching book, the numerous examples throughout make it ideal for an undergraduate course in materials processing or manufacturing. The first two chapters review heat transfer and concepts pertaining to solidification. The middle chapters emphasize conduction heat transfer and casting solidification. Finally, the last two chapters show how heat transfer during solidification can be used in riser design and also supply an introduction to numerical methods for those students or casting engineers who wish to venture further.

  • Sales Rank: #7107702 in Books
  • Brand: Brand: Wiley
  • Published on: 1998-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .21" w x 5.98" l, .30 pounds
  • Binding: Paperback
  • 94 pages
Features
  • Used Book in Good Condition

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Wednesday, April 12, 2017

Free PDF Passion and the PrinceBy Penny Jordan

Free PDF Passion and the PrinceBy Penny Jordan

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Passion and the PrinceBy Penny Jordan

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Passion and the PrinceBy Penny Jordan

He wants to hate her, but he's passionately attracted to her...Just who is Lily Wrightington - cynical fashion photographer or studious art historian? Prince Marco di Lucchesi can't hide his haughty disdain for this Englishwoman - or his violent attraction to her! As they tour the captivating palazzos of northern Italy together for Lily's work project the atmosphere between them alternately sizzles with dislike and erotic promise...until shadows from Lily's past turn up to haunt her. But if Marco drops his guard, and offers the protection Lily is seeking, the passion he's trying to keep firmly under wraps might just unleash itself too...

  • Sales Rank: #3879936 in Books
  • Published on: 2011-12-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.62" h x .50" w x 4.21" l,
  • Binding: Mass Market Paperback
  • 192 pages

About the Author
After reading a serialized Mills & Boon book in a magazine, Penny Jordan quickly became an avid fan! Her goal, when writing romance fiction, is to provide readers with an enjoyment and involvement similar to that she experienced from her early reading – Penny believes in the importance of love, including the benefits and happiness it brings. She works from home, in her kitchen, surrounded by four dogs and two cats, and welcomes interruptions from her friends and family.

Excerpt. © Reprinted by permission. All rights reserved.
Lifting her head from her camera, through which she had been studying a model posing provocatively in matching bra and briefs, Lily recoiled instinctively from the scene in front of her.

Almost naked male and female models—the girls all fragile limbs and pouting mouths, some of them open in conversation, or drinking water through straws so as not to spoil their carefully applied make-up, and the boys with their gym-toned bodies—stood together as they submitted themselves to the attentions of hovering hair and make-up artists. Fingers tapped away on mobile phones, gleaming tanned skin contrasted with the catalogue client's underwear all the models were wearing for the shoot. Heavy beat music boomed out into the small space despite the fact that some of the models were listening to their own iPods.

In other words it was a normal chaotic studio fashion shoot.

'Has that last male model arrived yet?' she asked the hairstylist, who shook her head.

'Well, we can't hold the shoot any longer. We've only got the studio for today. We'll have to use one of the other male models twice.'

'I can spray on some dye that will darken the blond guy's hair, if you like?' the stylist offered, reaching out to steady the rail containing more underwear to be modelled as it swayed dangerously when one of the models pushed past it.

Looking around, Lily felt her heart sink. She had grown up in this world—until she had turned her back on it and walked away—and now she disliked, almost hated it, and all that it represented.

Given free choice, this cramped, shabby studio with its familiar smell—a mix of male pheromones, sweat, female anxiety, cigarettes and illegal substances that seemed to hang invisibly in the air—was the last place she wanted to be.

Edging past a chattering group of models to get to the door, she put down her camera on a nearby table and went to check the pose of the pretty girl with the wary charcoal-grey-eyed gaze, wondering as she did so how many young hopefuls had entered the industry imagining that they would leave with a contract to model in a top fashion magazine only to discover a much seamier side to modelling. Too many.

This kind of shoot was the unglamorous rump end of what it meant to work in fashion, and a world away from money-no-object glossy magazine shoots.

She hadn't wanted to do this. She was here in Milan for a very different purpose. But she had never been able to resist her younger half-brother's pleas for help and he knew it. Rick's mother—her father's second wife—had been very kind to her when she had been young, and she felt that it was her duty now to repay that kindness by helping her half-brother. She couldn't ignore her sense of duty any more than she could ignore all their late father had been.

She had tried her hardest to dissuade Rick from following in their famous and louche father's footsteps, but to no avail. Rick had been determined to become a fashion photographer.

Satisfied with the model's pose, she went back to the camera—only to frown in irritation as the door to the studio swung open, throwing an unwanted shadow across her shot, along with an equally unwanted suit clad male torso. The missing male model had obviously finally arrived—and ruined her shot by stepping into it.

Thoroughly exasperated, she pushed back the shiny swing of her blonde hair and told him, without removing her gaze from her camera, 'You're late—and you're in my shot.'

It was the sudden silence and the stillness that had fallen over the rest of the room that alerted her to the fact that something was wrong. Her senses picked up on it and reacted by sending a quiverful of tiny darts of anxiety skimming along her spine. She stepped back from the camera and looked up—right into the coldly hostile gaze of the man who had just walked in. A tall, dark-haired, broad-shouldered, expensively suited man, whose body language reinforced the same cold hostility she could see in his eyes along with proud disdain. Against her will Lily could feel her eyes widening as she took in the reality of the man confronting her, her pulse beating unsteadily against her skin.

Whoever this man was, he was obviously no model. Even stripped he would be… He would be magnificent, Lily acknowledged, her stomach suddenly hollowing out with a sensation that took her completely off guard. If asked, she would have said—and meant it—that she was inured to male good looks, and that as far as she was concerned sexual attraction was a cruel deceit on the part of Mother Nature, designed to ensure the continuation of the species and best avoided. She had grown up in a world in which beauty and good looks were commodities to be ruthlessly traded and abused, which was why her own beauty was something she chose to downplay.

She intended to be crisp, cool and in control as she queried, 'Yes?' But instead of the apology for ruining her shot and the explanation of his presence she was expecting, she received an even more hostile look of silent, angry contempt that raked her from head to toe.

As yet he hadn't so much as given a sideways look at the scantily clad girls who were now, Lily saw after a look at them herself, all gazing at him. And no wonder, she admitted.

He made the young male models look like the mere boys they were, for all their muscles, but then he was extraordinarily handsome—handsome, but cold. And Lily suspected judgemental. He exuded an air of raw male pride and sensual power, even if there was a grim harshness about his expression that warned her that whatever had brought him here it wasn't going to be good news—for someone. But not her. He couldn't be here for her, so why did his presence have every one of her carefully rigged inner alarm systems breaking into a cacophony of warning?

She was her parents' daughter, Lily reminded herself.

At some level that had to mean she was as vulnerable to that kind of overpowering male sensuality as her mother had been. And just as capable of using her own beauty for commercial exploitation? Lily struggled to repress the feeling that made her shudder—as though against an unwanted male touch. She would never allow herself to repeat her mother's mistakes.

She was here to do a job, she reminded herself, not to give in to her own insecurities.

Whatever had brought him here to this shabby studio it wasn't the prospect of modelling work. His face might be as commanding and as harshly delineated that a hundred thousand ancient Roman coins might have been struck in its patrician and imposing image. It might be the kind of face that could lead vast armies of men into war and entice any number of women into bed. But it was a face that currently bore an expression of such cutting contempt that if it was captured on camera it was more likely to send prospective buyers running for cover than rushing out to buy what he was supposed to be modelling.

Was he going to say anything to break the pool of tense silence he had created?

Lily took a deep breath, and repeated determinedly, 'Yes?'

Another ice-cold look. The man must be close to inhuman, removed from the emotional vulnerabilities that affected the rest of the human race, not to be affected by the tension she could almost feel humming on the air.

'You are the one responsible for this?'

His voice was quieter than she had expected, but redolent with the same power as his presence and grimly harsh.

Lily gave the studio and the models a brief concerned glance. He was obviously here on a hostile mission of complaint of some kind, and since she was standing in for her half-brother she knew that she was obliged to agree.

'Yes.'

'There's something I want to say to you—in private.'

A rustle of reaction ran through the room. Lily wanted to tell him that there was nothing he could possibly have to say to her, and certainly not in private, but there was a nagging suspicion at the back of her mind that her half-brother might have done something to provoke this man's anger.

'Very well,' she conceded. 'But you will have to make whatever you want to say brief. As you can see, I'm in the middle of a shoot.'

The look of blistering contempt he gave her made Lily take a step back from him, before reluctantly moving forward through the door he was holding open for her. Out of old-fashioned good manners, or more in the manner of a guard determined not to allow his prisoner to escape?

The studio was in an old building, its door sturdy enough to block out the speculative questions Lily knew would be being asked by all the models and stylists inside it. She stood on the small landing at the top of the stairs that led to the studio, keeping as close to the door as she could.

At such close quarters to him there was nowhere to escape to—he was blocking her exit via the stairs by standing next to them.

'Call me old-fashioned and sexist,' he told her, 'but somehow finding that it is a woman who is procuring young flesh for others and profiting financially by doing so is even more abhorrent and repellent than a man doing the same thing. And you are such a woman, aren't you? You are a woman who lives off the vanity and foolishness of others, feeding them with false hope and empty dreams.'

Lily stared at him in disbelief. Revulsion filled her at the accusation he had made, accompanied by shock that he should have made it. The thought crossed her mind that he might be some kind of deranged madman—only to be squashed by the message from her senses that this was a man who was perfectly sane.

She pushed her hand into her hair a habitual gesture of insecurity and told him shakily, 'I don't know what all this is about, but I think you must have made a mistake.'

'You're a photographer who seeks out vulnerable young idiots with the promise of a glamorous modelling career that you know is all too likely to destroy ...

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Wednesday, March 22, 2017

Free PDF My Pilgrimage: A Guide On The Road To RedemptionBy Seth Taylor

Free PDF My Pilgrimage: A Guide On The Road To RedemptionBy Seth Taylor

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My Pilgrimage: A Guide On The Road To RedemptionBy Seth Taylor

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My Pilgrimage: A Guide On The Road To RedemptionBy Seth Taylor

In the Christian Church and the world at large today, addiction to pornography is not just a crisis, it is the crisis. The approach for many has been to label this a war, and scores of books and teachers have tried to show that using various control methods and tools in order to deal with the problem leads to freedom. But the crisis continues to grow, and true freedom, the kind that Jesus seems to be pointing to in the Gospels, seems forever out of reach. This powerless approach has left millions asking some very hard questions about themselves, their sexuality, and the nature of God. In this companion to the groundbreaking Feels Like Redemption: The Pilgrimage to Health and Healing, author Seth Taylor has created a Guide for every person on this movement out of addiction, depression, and anxiety. Equal parts teaching, therapeutic work, meditative journal, and art, this unique book and the video series created with it will lead readers into an entirely new way of living. Rather than giving readers a few unrealistic practices that leave them discouraged, this grace-filled adventure into the depths of the human soul will leave readers in awe of the Spirit that dwells all around and within every person. Walking this journey with Seth will show readers that this life was never a war to be fought, but rather a Sacred Journey to be walked. And in this experience, we will be changed forever. Welcome to the Pilgrimage.

  • Sales Rank: #1832473 in Books
  • Published on: 2014-05-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .58" w x 7.50" l, .98 pounds
  • Binding: Paperback
  • 254 pages

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Sunday, March 19, 2017

Free PDF SuburbiaBy Bill Owens

Free PDF SuburbiaBy Bill Owens

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SuburbiaBy Bill Owens

A revised edition of the 70's classic with new color photographs

  • Sales Rank: #863933 in Books
  • Published on: 1999-11-02
  • Original language: English
  • Number of items: 1
  • Dimensions: .65" h x 10.23" w x 10.25" l, 1.85 pounds
  • Binding: Hardcover
  • 120 pages

About the Author
Photographer and brewer

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Sunday, March 5, 2017

Ebook Download I, Tituba, Black Witch of Salem (CARAF Books: Caribbean and African Literature translated from the French)By Maryse Condé

Ebook Download I, Tituba, Black Witch of Salem (CARAF Books: Caribbean and African Literature translated from the French)By Maryse Condé

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I, Tituba, Black Witch of Salem (CARAF Books: Caribbean and African Literature translated from the French)By Maryse Condé

This wild and entertaining novel expands on the true story of the West Indian slave Tituba, who was accused of witchcraft in Salem, Massachusetts, arrested in 1692, and forgotten in jail until the general amnesty for witches two years later. Maryse Condé brings Tituba out of historical silence and creates for her a fictional childhood, adolescence, and old age. She turns her into what she calls "a sort of female hero, an epic heroine, like the legendary ‘Nanny of the maroons,’" who, schooled in the sorcery and magical ritual of obeah, is arrested for healing members of the family that owns her.

CARAF Books:Caribbean and African Literature Translated from French

This book has been supported by a grant from the National Endowment for the Humanities, an independent federal agencY.

  • Sales Rank: #155782 in Books
  • Brand: Brand: University of Virginia Press
  • Published on: 2009-02-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .70" w x 5.40" l, .70 pounds
  • Binding: Paperback
  • 248 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
The author of the highly recommended intergenerational saga Tree of Life (Fiction Forecasts, June 29) moves from her native Guadeloupe to colonial New England in this potent novel. Revising the legend of a slave woman accused of practicing witchcraft and imprisoned in Salem, Mass., in 1692, Conde freely imagines Tituba's childhood and old age, endows her with what Davis calls a contemporary social consciousness, and allows her to narrate the tale. Her pointedly political story indicts the Puritans' racism and hypocrisy and their contemporary manifestations. Conceived when an English sailor rapes an Ashanti captive on the slave ship Christ the King , Tituba grows up in Barbados but follows her beloved, John Indian, into servitude in America when he is sold to minister Samuel Parris. Charged with witchcraft when she heals Parris's wife and daughters, she shares a jail cell with Hester Prynne, who helps her plan her testimony before the Salem judges. Eventually reprieved, Tituba is bought by a Jew, himself persecuted, who frees her and gives her passage to Barbados. At once playful and searing, Conde's work critiques ostensibly white, male versions of history and literature by appropriating them.
Copyright 1992 Reed Business Information, Inc.

From Library Journal
In 1692, a Barbadian slave named Tituba was arrested for witchcraft in Salem, Massachusetts. From this historical fact, Conde, an acclaimed writer from Guadeloupe, invents Tituba's life story from childhood to old age. As a child, Tituba sees her mother executed. She is then raised by an old woman who teaches her the African art of healing and communicating with spirits. As a young woman, she is sold to a Puritan minister who leaves Barbados for America. Tituba uses her powers for good purposes, including the healing of her master's family. But her powers are misunderstood by the narrow-minded Puritans, who can only associate witchcraft and the blackness of her skin with evil. Far more than an historical novel, Conde's book makes a powerful social statement about hypocrisy, racial injustice, and feminism through the use of postmodern irony. With a foreword by Angela Davis. Highly recommended.
- Joanne Snapp, Virginia Commonwealth Univ., Richmond
Copyright 1992 Reed Business Information, Inc.

From Kirkus Reviews
Caribbean-born Cond‚ (Segu, 1987; The Children of Segu, 1989; and see below) gives questionable life to Tituba, one of the accused and subsequently released witches of Salem, in a novel of some conflicting purpose. In a lengthy afterword that includes an interview with the author, Cond‚ claims to be expressing her opinion about present-day America, where ``little has changed since the days of the Puritans''; to be writing a postmodern mock epic in which she parodies the heroic epic--and contemporary feminism; and to be giving Tituba ``a reality that was denied to her because of her color and her gender.'' But these authorial claims and results seem frequently at odds in this story of Tituba, born on the island of Barbados to a slave raped by a British seaman. When her mother is hung for striking a white man, the child is raised by a local soothsayer who teaches her to summon the dead and heal with herbs. She marries handsome but weak John Indian; and when the couple is sold to the Reverend Samuel Parris, they accompany the Parris family to Salem. There, Tituba practices her healing, tries to help young Betsy Parris, but instead, caught up in the witch-hunt, is accused of trying to harm her. In prison, she meets Hester Prynne, and to defray the cost of her keep is sold to a Jewish widower, a victim of local prejudice, who, grateful for her bringing back his beloved dead, arranges for Tituba to return to Barbados. Back in her old cabin, she is killed when her lover, trying to organize a slave revolt, is betrayed. But Tituba goes on: ``Now that I've gone over to the invisible world I continue to heal and cure. But primarily I have dedicated myself to hardening men's hearts to fight.'' The confusion of ends doesn't help a book that has too obviously sacrificed a moving and dramatic story to agenda and fashion. Tituba deserves better. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.

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Saturday, March 4, 2017

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  • Published on: 1800
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Dental practice has changed. The disease & age demographics and insurance & wage trends that drove decades of easy success as a service business are fading. As a result, the traditional practice model has become unpredictable. Common denominators for success in today’s environment are a focus on specialized niche services, unique ways of delivering care, understandable and ethical communication in promotion and selling, and a 100% painless treatment and administrative experience for the patient. The 5% of clinicians embracing these changes are thriving, performing the niche services they love, helping more patients, and enjoying a rich professional and personal life. If you want to understand what they know or simply chart your course to join them, then the rules and logical sequences discussed in ‘The Ultimate Guide to Niche Dental Marketing’ are mandatory reading. The Ultimate Guide to Niche Dental Marketing provides the reader with: • Key economic, reimbursement, and disease demographic trends to know • How insurance discounting directly affects one’s short and long term choices • The ultimate truth about your marketing budget as percent of gross • How to create “category killer” practice advantages in any niche and location • Discussion of best media and specific tactics for successful niche service promotion • How to maintain your marketing focus via The McAnally Hierarchy of Niche Marketing™ • Specific Do’s and Don’ts for niche service promotion (both online and offline media ) • Easily avoidable marketing pitfalls for conserving your financial resources • Tangible advantages known only to those readers with Volume 3 in the D.U.A. series The Dentist’s Unfair Advantage Series is designed to help practice owners understand more fully the unfair forces working against their practice in the post Great Recession economy. Without an ongoing accumulation of advantages clinically, administratively, and via systems for selling and the promotion of professional services, practice growth and professional satisfaction are artificially limited and as a direct consequence fewer patients are helped. Each Volume In the series is designed to not only create understanding of what’s working against the practice but to give the owner tactical steps to take for accumulating tangible business advantages that act as counterweights to the unfair forces at work.

  • Sales Rank: #2585583 in Books
  • Published on: 2015-02-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .68" w x 5.25" l, .68 pounds
  • Binding: Paperback
  • 270 pages

About the Author
Dr. James McAnally is the founder of Big Case Marketing; a niche practice consulting firm focusing on clinicians with advanced clinical skills, developer of The McAnally Selling System; dentistry’s only check-list approach for ethically selling professional services based on Harvard, Stanford, and Yale consumer and human behavior research, co-founder of the Master Dentists Academy; dentistry’s only professional group providing scientific based advertising and formalized training in The McAnally Selling System, founder of the Painless Dental Alliance; dentistry’s only professional group committed to a 100% painless experience for patients clinically and administratively. He’s been involved with clinical dentistry for more than 20 years and is routinely named a global leader in dental consulting and advisor to the top 5% of clinicians in the profession. Clients and Academy members successfully using Academy Programs reside on 3 continents.

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